The wounding is assisted by his admiration for modernist artists like Lucio Fontana and Alberto Burri, who are known for 'mutilating' basic painting support materials, and also his interest in moulage, where he creates hideous skin diseases or injuries. It is an emotional and physical attack on the cumulative weight of art history pressing down on contemporary European artists, believing in the power of 'irresponsibility' and 'wounding' to hit back-a retaliation in search of freedom. Samori ridicules those civilised painted images by turning them into objects of pity or revulsion, as evidenced by Seer (2011), Agnese (2009), June 27 (crowned) (2014), and Ciclope (2020). He specialises in a form of aggressive baroque art that humiliates the neoclassical tradition exemplified by 17th-century Old Masters in the Netherlands and Bologna. See for example, Kazimir (2010) and Destino dell' Occhio (2011). Nicola Samori is known for several approaches to making his theatrical and disturbing two- or three-dimensional images, the latter through wax or carved marble, the former through supports of copper sheets or wood and peeled back semi-dried oil paint. Samori studied painting at the Academy of Fine Arts in Bologna, and has been exhibiting his provocative works since 1998.
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